The Banyan Deer was made by the cartoon unit of the Films Division of India. The Banyan Deer was the first major initiative undertaken by the Films Division of India to produce a full-fledged animated movie in colour format. It was based on a popular tale from the Buddhist Jatakas (ancient tales). It tells the story of sacrifice and compassion. Some of the greatest Buddhist art can be seen in the caves of Ajanta, and these were initially chosen as models to base the movie on.

Ram Mohan directed the 1968 animated film Baap Re Baap. Ram Mohan, the legend and doyen of Indian animation, has played a significant role in the evolution of animation in India. The 11-minute, 35-mm colour film was produced by Prasad Productions, Madras. In 1969, "Baap Re Baap" won the National Award for Best Film on Family Planning.

Ek Anek Aur Ekta is a traditionally animated short educational film released by the Films Division of the Government of India. It was released in 1974. It was aired on the public broadcaster channel Doordarshan and became very popular among children. This educational film aimed at teaching children the value of unity features the catchy song "Ek Chidiya, Anek Chidiyan" and became quite popular.

"Taru (The Tree)" is a 2D animated film created by Ram Mohan in 1984. The rich and dynamic relationship between a man and Taru the tree is depicted in this moving animation. Throughout the story, the tree happily gives while man continuously takes from it, illustrating the opposing dynamics of giving and taking. Through a lively and touching narrative, "Taru" effectively conveys the theme of man's exploitation of nature and the severe consequences that arise from it. The film serves as a powerful allegory for environmental conservation, stressing the importance of treating nature with care and concern to avoid dire repercussions.

The animation style of "Taru" reflects the era's traditional techniques, with detailed hand-drawn frames that bring the characters and the natural world to life. The poignant narrative and evocative images combine to produce an engrossing and immersive experience that successfully captures the audience's attention and conveys the film's crucial environmental message. "Taru (The Tree)" is more than just an animated movie; it's a meaningful work of art that touches viewers by emphasising how important it is to interact with the environment in a sustainable way. It invites viewers to consider their own relationship with nature and the consequences of their actions by presenting the interaction between man and tree in an emotional and poignant manner.

Deepa & Rupa: A Fairy Tale from India is a 1990 Indian-American live-action animated children's film written, directed, and produced by Manick Sorcar. It was the first Indian film to combine live action and animation throughout its entire feature length. This classic fairy tale tells a story about two stepsisters, Deepa (Deepa Reddy) and Rupa (Piya Sorcar). It was nationally broadcast on Indian TV (Doordarshan) and several times on PBS stations in the USA.

Yugo Sako is the producer and director of the 1992 anime film Ramayana: The Legend of Prince Rama, which was co-produced by Japan and India. Its foundation is the Ramayana, an Indian epic. Koichi Sasaki and Ram Mohan directed the movie, and Vanraj Bhatia wrote the soundtrack. Although it was banned in India during the Babri Masjid riots, it was later dubbed in Hindi and aired on DD National.

Inimey Nangathan is a 2007 Indian Tamil-language animated children's film, produced by Sridevi and directed by Venki Baboo. It is the first animated non-mythological movie with 2K resolution according to international standards. The movie has a catchy musical score by Ilayaraja. The film won the National Film Award for Best Animated Film. An entertainer for people of all age groups, the movie is a testimony to our technical wizardry. Venky Baboo has rendered an entertainer woven around four prominent characters: Vichu, Varadhu, Vaithi, and Govind. He conveys a strong message through this tale, which runs for over an hour and a half.

"Bal Ganesh," a 3D animated film directed by Pankaj Sharma and released in 2007, is a vibrant and enchanting depiction of the childhood adventures of Lord Ganesh, one of the most beloved deities in Hindu mythology. The film brings to life the tales of Ganesh's youthful exploits, combining mythological narratives with cutting-edge animation technology. Bal Ganesh utilizes 3D animation to create a visually stunning experience. The animation is vibrant and colorful, capturing the fantastical elements of Hindu mythology. The characters are designed with attention to detail, ensuring that they are both expressive and true to their mythological origins.

Dashavatar is a 2008 animated film based on the ten incarnations of Lord Vishnu. It is directed by Bhavik Thakore and produced by Vimal Shah under the banner of Phoebus Media. The SFX used plays a crucial role in the overall look of the film. The fish sequence was completely done in 3D animation. "Samundra Manthan was a mixture of '3D Max animation' and 'After Effects', whereas the watery effect was given by using 'After Effects and Real Flow', and lastly, 'Particle Illusion' was used in the scene where 'Mohini' is wooing her Rakshas fans."

"Alibaba" is a 3D animated film directed by Usha Ganesh Raja and produced by Pentamedia Graphics in 2002. The movie tells the timeless story from "One Thousand and One Nights," focusing on the adventures of a humble woodcutter named Alibaba. In the story, Alibaba stumbles upon the secret cave of 40 thieves, discovering that the magic words "Open Sesame" allow entry into the cave where the thieves hide their stolen treasures. Alibaba's life changes dramatically as he gains access to the wealth within the cave. But after hearing about the riches, his avaricious brother connives to steal it for himself, setting off a sequence of exciting and perilous events. The movie's 3D animation, which features intricate character models and colourful surroundings that bring the fabled tale to life, highlights technological developments at the time. The narration is enhanced by the dynamic images and captivating animation style, which appeals to and makes the content accessible to a contemporary audience. The movie "Alibaba" looks at issues including resourcefulness, greed, and the results of one's actions. It offers moral teachings together with amusement in a timeless story told in a modern format. The movie is a noteworthy illustration of Indian animation efforts in the early 21st century, showcasing the expanding capacities and aspirations of the nation's animation sector at that time.

"The Legend of Buddha" is a 2004 Indian animated film directed by Shamboo Falke. It narrates the story of Prince Siddhartha Gautama, who renounces his kingdom and worldly life to seek enlightenment and eventually becomes the spiritual leader, Buddha. This 2D animated film was India’s submission for the Academy Award for Best Animated Feature at the 77th Academy Awards; however, it did not receive a nomination. This film, which combines storytelling through animation with a reflection of cultural history, stands out as a major contribution to Indian animated filmmaking.

Hanuman is a 2005 Indian animated feature film directed by V. G. Samant and produced by Shailendra Singh at Percept Picture Company and Silvertoons. The animated film dramatises the life of its title character, Hanuman, a Hindu deity. The narrator is actor Mukesh Khanna. The animation was created by Silvertoons. It is the first feature-length, entirely animated film from India to be released in theatres. The film popularised animation and kicked off the growth of India's animation industry. 

"Gulliver's Travel," directed by Anita Udeep and released in 2005, is a computer-generated (CG) 3D-animated film produced by Pentamedia Graphics. Anita Udeep, an Indian screenwriter and director known for her work in both Tamil and English-language films, led this project. The film gained significant recognition by being shortlisted in the Best Animated Feature Film category for the Oscars in 2006. This achievement highlights the film's quality and the growing prowess of Indian animation in the global cinematic landscape.The film utilised 3D computer-generated imagery (CGI) to bring the classic tale to life. Characters were designed to be visually appealing to a broad audience, combining traditional elements of the original story with modern animation aesthetics.

"Kittu," directed by B. Sathya and released in 2006 as traditionally animated Indian feature film, stands as a groundbreaking achievement in Indian cinema, particularly within the realm of animation. This film is noteworthy not only for its artistic and technical qualities but also for its cultural significance as the first animated feature film produced in the Telugu language. "Kittu" employs traditional hand-drawn animation techniques, a meticulous process involving the frame-by-frame drawing of characters and scenes. The animation team, under Sathya’s guidance, crafted characters that were not only visually appealing but also reflective of the cultural aesthetics of Telugu folklore and contemporary storytelling. In addition to receiving the National Film Award, it was named the second-best children's film of 2006 by the AP state award, or Nandi Award.

"Chaar Sahibzaade" is a 3D animated film directed by Harry Baweja, released in 2014. This film is a poignant and powerful depiction of the sacrifices made by the four sons of the 10th Sikh Guru, Guru Gobind Singh Ji—Sahibzada Ajit Singh, Jujhar Singh, Zorawar Singh, and Fateh Singh. The story revolves around the tragic and heroic tales of the Sahibzade, emphasising their unwavering bravery, commitment, and selflessness in the face of injustice and despotism. The video portrays the bravery and tenacity of these young fighters who stood steadfastly for their faith and convictions, delving into the important historical events that culminated in their martyrdom. Chaar Sahibzaade uses cutting-edge 3D animation to vividly depict this historical story, providing an engaging visual and emotional experience. The story is made more approachable and powerful for a larger audience by the animation, which helps to vividly portray the time period, the characters, and the dramatic events. The film does a good job of capturing the deep emotions and historical significance of the story thanks to its intricate visual effects, character animations, and gripping fighting scenes. A work of Sikh history teaching, "Chaar Sahibzaade" is also an uplifting story about bravery, sacrifice, and the value of standing up for what one believes in. It is directed with a profound sense of reverence and historical truth. The film has been widely appreciated for its respectful and heartfelt portrayal of the Sahibzade, making it a significant contribution to animated cinema and historical storytelling.

"Mahayoddha Rama" is a 3D animated film directed by Rohit Vaid, released in 2016. With a novel twist—it is told from the viewpoint of Ravana, the antagonist—this Hindi-language animated film presents an adaptation of the ancient Indian epic, the Ramayana. The film's innovative approach and visual excellence earned it the National Film Award for Best Animated Film. The well-known tale of Rama, Sita, and Ravana is retold in "Mahayoddha Rama," offering viewers a new perspective on the legendary tale. The film gives the classic story additional depth and complexity by delving into Ravana's motivations and inner world, which makes for an interesting and thought-provoking viewing experience. Mahayoddha Rama's animation is a stunning visual feast that highlights the most recent developments in VFX technology. An immersive movie experience is enhanced by the intricate character designs, exciting action scenes, and masterfully constructed settings. The film's artistic and technical accomplishments established a new standard for Indian animated films. In addition to providing entertainment, "Mahayoddha Rama" challenges spectators to think again and examine the traditional epic from an alternative angle. It is a unique work in the field of animated film because of its innovative animation and gripping narrative.

"Chaar Sahibzaade 2: Rise of Banda Singh Bahadur" is a 3D animated film directed by Harry Baweja and produced by Pammi Baweja and Jyoti Deshpande, released in 2016. "Chaar Sahibzaade" and centres on Banda Singh Bahadur's remarkable journey and metamorphosis. The main theme of the narrative is how Banda Singh Bahadur was transformed by the grace and teachings of Guru Gobind Singh Ji, allowing him to lead the Sikh army into the Punjab province. Banda Singh Bahadur's mission was to establish righteousness and equality and to seek justice for the atrocities committed by the Mughal rulers, who had killed the four sons (Chaar Sahibzaade) of Guru Gobind Singh Ji along with thousands of innocent Sikhs and Hindus. The epic story of bravery, selflessness, and the pursuit of justice is vividly brought to life in the animation. The film stands out for its intricate and colourful 3D animation, which does a great job of capturing both the historical setting and the characters' deep emotions. The director's desire to create an immersive and captivating cinematic experience is evident in the action scenes and the way battles are portrayed. In addition to being a film, "Chaar Sahibzaade 2: Rise of Banda Singh Bahadur" pays homage to the rich history and culture of the Sikh people. It highlights themes of bravery, tenacity, and the never-ending struggle against injustice. By portraying the life and achievements of Banda Singh Bahadur, the film aims to inspire and educate audiences about this significant chapter in Indian history.

Prabho Shivaji Raja is an animated historical drama based on the life and times of the legendary Maratha warrior, Shivaji Raja. Animation expert Nilesh Muley is the director of this movie. The film is an ode to the king who through his military genius took on the might of the Mughals and freed his land from their tyrannical rule of more than 350 years. And yet, history remembers him as much for his heroism as it does for his sense of justice and equality for his subjects, irrespective of class or religion. The film is based on the extensive research done by senior historians Babasaheb Purandare and Ninad Bedekar.

Arjun: The Warrior Prince is a 2012 Indian animated action film produced by Siddharth Roy Kapur and Ronnie Screwvala under the banners of Walt Disney Pictures and UTV Motion Pictures. It was written and directed by Arnab Chaudhuri. May 25, 2012, was the movie's Indian release date. The unsung hero of the Mahabharata, Arjun, is the one narrating the story in the movie.

Delhi Safari is a 2012 Indian computer-animated musical comedy film written and directed by Nikkhil Advani. It has been produced by Krayon Pictures, a Pune-based 3D animation studio. It is India's first stereoscopic 3D animation feature film. At the 60th National Film Awards, it won the National Film Award for Best Animated Film. The film traces the journey of five animals from Mumbai to Delhi as they struggle against an oppressive regime.

Chakra: The Invincible is an Indian animated superhero film based on the main character created by Stan Lee, with Sharad Devarajan and Gotham Chopra. It was broadcast in English and Hindi. Cartoon Network hosted the film's premiere, which was produced by Graphic India and POW Entertainment. It shares the story of Raju Rai. When Raju Rai accidentally activates an experimental suit that unleashes the mystical chakras of the body, he gains superpowers and vows to protect the people of Mumbai as Chakra the Invincible.

"Mighty Raju: Rio Calling" is a computer-generated (CG) animated film directed by Rajiv Chilaka and Anirban Majumder, released in 2014. This movie is part of the well-known "Mighty Raju" series, which follows the exploits of a four-year-old kid endowed with extraordinary abilities. In "Mighty Raju: Rio Calling," the narrative takes an exciting turn when the Indian government assigns Raju's father to a unique mission, necessitating the family's relocation to Rio de Janeiro. While Sandhya, Raju's mother, is ecstatic at the chance to live in a bustling new city, Raju experiences mixed emotions, especially regret about leaving his friends behind. The movie follows Raju as he adjusts to life in Rio, meeting new people and overcoming obstacles in addition to the usual problems that come with relocating. His misadventures and exploits in this new environment are greatly influenced by his superpowers. Raju's story is given a new and interesting backdrop by Rio de Janeiro, with its bright scenery and dynamic culture. With vibrant colours, intricate backgrounds, and exciting action sequences, the computer-generated imagery of "Mighty Raju: Rio Calling" vividly brings the characters and the city of Rio to life. The film's relevant themes of adventure, friendship, and change combine to amuse young audiences. Mighty Raju: Rio Calling is not just an entertaining film but also a story about growth and adaptation, teaching children about resilience and the importance of embracing new experiences while staying connected to their roots.

"Bombay Rose" is a 2019 animated film written, edited, designed, and directed by Gitanjali Rao, an acclaimed Indian animator and filmmaker. The film is notable for its unique, hand-painted animation style. It was made by frame-by-frame painted animation on a computer and took 18 months with 60 artists. Gitanjali Rao is a well-respected figure in the world of animation. Prior to "Bombay Rose," she gained recognition for her short films, including "Printed Rainbow," which won three awards at the Cannes Film Festival in 2006. Rao's work is known for its deep emotional resonance and intricate artistic style. "Bombay Rose" explores themes of love, longing, and survival in a rapidly changing urban landscape.

The movie is well-known for its unique animation style. The vivid and chaotic character of Mumbai is reflected in the visually rich and complex tapestry that is created by hand-painting each frame. The animation has a distinct look that sets it apart from other mainstream animated movies, thanks to influences from Bollywood posters and Indian miniature paintings.

Ravishankar Venkateswaran is the writer and director of Punyakoti, India's first crowdfunded and crowdsourced animated feature film in Sanskrit. He has dedicated his life to making Sanskrit-animated feature films. Punyakoti is an adaptation of a picture book for children written by Ravishankar. It was produced through crowdsourcing and is the first Sanskrit animated film. Punyakoti is based on a famous folk song in Karnataka written in the Kannada language about a cow that speaks the truth at all times. The film got a certificate from the Central Board of Film Certification.