Erstwhile Logos in Calligraphy
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Client: Aakar : The Quest for Perfect form [Nov 1988-Feb 1989 organised at IGNCA] Designer: Sudarshan Dheer, Graphic Communications Concepts.
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Client: ‘AKSHAR ANKAN - Art Exhibition’ logo held in ‘Sophia College of Art & Design, Mumbai’ Designer & Firm: Santosh B. Kshirsagar.
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Client: Akanth Magazine identity (Publication) Designer & Firm: Achyut Palav.
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Client: Assa Publications, Mumbai Designer & Firm: Santosh B. Kshirsagar.
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Client: Bharat Woolen House (Textiles), Mumbai Designer Firm: Aay’s Advertising.
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Client: Identity for Dharakul Magazine, ‘Bharat Vishesh Prakaashan’, Mumbai Designer: Ravimukul.
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Client: Identity for ‘International Shibouri Symposium’, NID Ahmedabad Designer: R.K. Joshi.
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Client: ‘Indira Gandhi National Centre for Arts’, New Delhi Designer: R.K. Joshi.
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Client: Identity for ‘Nehru Centre Art Gallery’, Mumbai Designer: Santosh B. Kshirsagar.
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Client: logo for ‘Resha Graphic Designers’ Designer & Firm: Shishupal Panke.
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Client: Saarth Prakaashan (Publishing), Mumbai Designer: Ravimukul.
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Client: Shabdvel Prakaashan (Publishing), Mumbai Designer: Ravimukul.
The archived logos celebrates the various self-expressions of Calligraphic masters of the Indian sub-continent. Calligraphy (from Greek κάλλος kallos "beauty" + γραφή graphẽ "writing") – is primarily the visual art of writing. The various styles of the calligraphic hand skill presented in this archive envisage simplicity, harmony, beauty and manual resonance with which the letterforms sing and dance in different rhythms; re-translate a unique and distinct identification of “Diversity in India” viewed with the lens of this visual art of writing.
For more details: http://dsource.in/resource/logos-india
