"Imagery from Nature on Ceramics," as the title indicates, involved a study of nature and natural forms and creating designs that are characterised by natural forms. A close observation of flowers, leaves, insects, animals, and natural elements and periods like night, water, daylight, air, and fire led to explorations with clay.

The underlying impetus for the project is somewhat similar to that of the Art Nouveau Movement, which arose as a response to the Industrial Revolution and often emphasised utility over aesthetics. The ease of access to diverse cultures in the 21st century makes it different from the period that gave birth to our times, which appears to be the unprecedented exploitation of nature and natural resources. How we relate to nature can shape our lives and those of the planet.