In India, most people believe in God. The rural people are more inclined towards social cultures, beliefs, and the words of overspoken babas and sadhus—so superstitious in nature. An Indian village would have its own realities, beliefs, traditions, and cultures from the past, but the ideas may be superstitious for the urban people. The content of superstitions and the metaphors we use change from culture to culture—but not the underlying shock and awe that yielded them in the first place. Man feels dwarfed in a Cosmos beyond his comprehension. He seeks meaning, direction, safety, and guidance... but after all, it needs knowledge and scientific ideas to justify what is what and the causes and remedies. The film will start with a rural village atmosphere where all are busy with their daily routines—showing their daily lives and more from a child’s perspective. Small children are simple but mysterious. The activities of the kids will be highlighted with village fairs, fun games, with roadside vendors, fruit plucking from trees, and adventures in school days. Film begins with a language of magic, superstition, and faith and transforms into the terror of a ghost, and these superstitions are later mocked by the revelation of a new super hero. Zokkomon powered by magic’s scientific ideas change the villager’s mind and thought from a very superstitious nature to the flavour of science. There is a dark irony throughout the story. Colours shine out like gems of hope in the misty greyness.