This project is directed to explore the possibilities and future of printmaking and setting up a fully functional printmaking setup in IDC, IIT Bombay in order to enable the enthusiasts to express themselves through the feeling of multitude, the core essence of printmaking. Going by the varieties of the printmaking techniques, the knowledgeble ones know that the technical possibilities are unbounded which includes, but not limited to etchings and woodcuts, vinyl graphics, linocuts, lithographs and complicated, conceptually driven projects intended to raise social consciousness. Philosophical questions remain. As new mediums proliferate and lines between genres dissolve, you may wonder if there is any value in maintaining printmaking as a separate artistic category. To answer this question, it is tried in this project to explore the realm of printmaking, as a separate genre of art and art history, as well as the medium through which the artist can probably vent out her/his long due frustration of unfruitful labor, as printmaking comes with the feeling of giving birth, a feeling of long overdue success, of engraving some permanent mark in the roof of the bulldozer of myriad expressions and tools of creativity.