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Home / Resources / Myths / Conclusion

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  • yohoho
  • Design Resource

    Myths

    About the origins of Indian crafts
    by
    Gitanjli Chhibber and Prof. Ravi Poovaiah
    IDC, IIT Bombay
    Conclusion
     
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    Through this project I discovered so many myths about our heavily rich and richly varied culture of craftsmanship. It was very delightful to read all sorts of myths  and  then  analyse them. As far as the illustrations are concerned, I really enjoyed exploring them  digitally although  it would  make  more  sense to create them by hand  given  the  time  duration,  the digital method  seemed  appropriate.  Following  is  a  much more detailed conclusion:

    col-sm-12

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      1. By encircling the common points in the above analysis, we can say tribal myths support the power of observation, the intervention of gods and combination of both to be the main reasons for a craft to take birth.

      2. The presence of a creature - magical or not shows the strong influence and appreciation of wildlife in the people’s lives. The mention of the creatures  suggests that these animals are present in the regions the myths belong to.

      3. The North-Eastern tribal myths do not have  the presence of common Hindu gods. However, the tribal myths of Madhya Pradesh mostly revolve around Lord Shiva, a common Hindu deity.

      4. The element of gratitude is present in all  the  tales. None of the myths covered here, boastfully credit the Human mind and consciousness for the creation of the craft. It is indeed very humbling.

      • Index
      • Introduction
      • Analysis
      • Archetypal Criticism
      • Illustrations
      • Final Design
      • Conclusion
      • Bibliography
      • Downloads
      • Contact Details
      • Credits

      Creating Digital-learning Environment for Design



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