Every region of India has unique ways of expressing their culture through various forms of art, which also reflect their beliefs and rituals. This study includes a basic analysis of one such traditional art form, the floor art of Rangoli. The scope of the project includes understanding the patterns that are created using various methodologies, which also have variations with respect to the region. The variety of patterns and forms of decorations are dependent on types of function or purpose, occasions, various artefacts, and environments. In this particular study, one is trying to analyse the visual elements, motifs, and principles of creation that reflect various influences from region to region. To restrict the domain of the project, the criteria of study have been limited to mainly those related to region or place, occasions or events, and environments or artefacts. The execution of this work includes identification of patterns, motifs,motifs and iconography; documentation of the different styles of decoration and various methodologies; analysis of the diverse kinds of Rangoli from many regions; representation of decoration created by using various elements of design; and making the report and presentation of the entire study. It also includes the process of investigation by talking to people and finding out the process of creating the decoration. The study is to facilitate the creation of a new style of patterns and decoration with respect to the essence of its origin, to represent the basic graphical elements, and to create various applications for reusing these decorative elements.