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Home / Resources / History of Puppetry in India / Major Puppetry Traditions of Indian States / Rabana Chaya (Shadow Puppet)

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  • Design Resource

    History of Puppetry in India

    Theater Art
    by
    Rajiv Sarkar and Prof. Ravi Poovaiah
    IDC, IIT Bombay
    Rabana Chaya (Shadow Puppet)
     
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    Ravana Chhaya, literally ‘the shadow of Ravana’, is a 6000-year-old shadow puppet show of Odisha, which starts at night with the auspicious tradition of breaking the coconut and singing hymns to the Lord Ganesha and Rama. The show follows the Odia poetry collection, Vichitra Ramayana written by Vishwanath Khuntia, a seventeenth-century poet. The puppets used are a single-piece structure with no joints and no colors. They throw opaque shadows on the screen, and their manipulation requires great dexterity. They are made up of deerskin and are conceived in bold, dramatic poses. Apart from human and animal characters, many props such as trees, mountains, chariots, etc., are also used. Although the Ravana Chhaya puppets are smaller in size, ranging from six inches to two feet, and have no jointed limbs, the use of poetic language, music, and narration of religious themes creates a spectacular and sensitive show.

    • Introduction
    • Mapping on a Timeline
    • Types of Puppetry in India
    • Indian People in Puppetry
    • Media, Materials, and Stories
    • Major Puppetry Traditions of Indian States
      • Tholu Bommalata (Shadow Puppet)
      • Koyya Bommalata (String Puppet)
      • Putul Naach (Rod Puppet)
      • Yampuri (Rod Puppet)
      • Gomba Atta (String Puppet)
      • Togalu (Shadow Puppet)
      • Tholpavakoothu (Shadow Puppet)
      • Kalasutri Bahulya (String Puppet)
      • Chammadyache Bahulya (Shadow Puppet)
      • Rabana Chaya (Shadow Puppet)
      • Kathputli (String Puppet)
      • Bommalattam (String Puppet)
      • Kandei Nach (Glove Puppet)
    • Conclusion
    • Links
    • Downloads
    • Contact Details
    • Credits

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